Media credentials make it easy for writers and photographers to access event venues or hot spots. A credential is simply a pass or an identification tag that shows your name, photo and the media company you represent. Without such a pass, it would be difficult to get yourself to the center of the action. On the other hand, these documents are vital especially in cases where you are covering riots, war or other sensitive events. It is easy for anyone to front as a journalist. To avoid such confusion, authorities insist on media professionals having these badges. Freelance journalists, on the other hand, are not employees of media operators. They are people who offer themselves for hire and receive payment for it. Just like their counterparts, they also need to have the required media credentials. All media professionals require this document. However, you should know that such a document does not grant you automatic entry into every event. There are places where you will undergo further vetting before they can let you in. An example is an event where the president and top government officials are present. Security is usually tight especially among dignitaries. The press id must have come as a relief to media professionals. Hours before an event starts, you can use it to gain access to the venue and secure a good vantage point.
There are entrances set aside for members of the press. Your identification gives you the privilege of passing through such a gate rather than the one used by other members of the public. Usually, press cards have the word "press" inscribed in thick capital letters. Anyone who sees you wearing that badge steps aside to let you pass. This is a result of the respect people accord to news reporters and photographers. Reporters have a duty to inform the people about what is taking place around them. Without a press id, no one will believe you when you say that you are a journalist. There are instances where you need to get behind the scenes and interview people. This small card acts as your savior. Celebrities, sports personalities and even politicians will hardly speak to anyone asking questions. However, by producing a document that shows you are working on behalf of a news agency, these people will gladly speak to you. There is some magic behind your press card. Otherwise, journalists would have such a rough time before getting a story.
Once you start working as a journalist, make sure you secure a presse ausweis. Once you get it, always carry it with you. This is the only document that identifies media people as professional journalists. Anyone who wishes to confirm the validity of your status need only take details of your presse ausweis. They can then contact the issuing authority for verification. Media agencies and press associations are the sole issuers of press credentials. For this reason, even security agents recognize press cards as authentic. Before you get one, the issuer must have proof of your training and qualifications.
Despite still accusing pain from cracked ribs and a collapsed lung, in Dallas they are confident about Tony Romo's presence versus Washington, which is not the case with Miles Austin, who will be out for at least two weeks. If after the loss against the New York Jets the Dallas Cowboys owner, Jerry Jones, came out to publically defend quarterback Tony Romo from the critics, this time his intervention with the media has been to clarify that the 31-year-old player's "ability to handle the pain" is what will determine whether or not he plays on Monday Night Football against the Washington Redskins, he said. While head coach Jason Garrett expressed on that there shouldn't be a reason for Romo not to play. Luckily for Dallas, Romo knows how to manage pain; otherwise he wouldn't have played in Sunday's overtime victory over the San Francisco 49ers by 27-24. Although much of the strength to endure the pain during that game came out of his hurt pride, after being strongly criticized for his mistakes in the season opener against the NY Jets, Romo forgot about his fractured ribs to quiet his detractors and lead the team to their first victory.
In case Romo can't make it through the pain again, 39-year-old veteran Jon Kitna would fill in, who this season has a passer rating of 82.1 , with 1 touchdown and 2 interceptions. Wide receiver Miles Austin -who wasn't able to play the overtime in the victory over the 49ers after accusing a knee injury- is not even in doubt as, he is expected to miss the next two weeks due to injury. Along with Romo, Austin was one of the stars in Dallas' victory against the 49ers over the weekend, reporting 143 yards and 3 touchdowns, reason why he will be greatly missed against Washington. Positive news is that running back Felix Jones will be available for the Monday Night Football showdown, despite having dislocated his shoulder in the victory over San Francisco. Much more is expected from him after his poor performance this season, as well as from running backs DeMarco Murray and Tashard Choice. While Jones has averaged just 2.7 yards per carry on 26 attempts and one TD, the rookie and the veteran combine for only 30 rushing yards and 0 TDs.
No wonder why the Cowboys are struggling so much to win. If the Cowboys don't want to have a losing season like their previous (6-10) one, they better pick their running game from the less than three yards per carry that is currently averaging. Not to forget that after two games Romo has suffered five sacks, which is also a wake-up call for him. They will face a team that is unbeaten this season, Washington, and leads the NFC East Division, therefore the Cowboys need to get the ball running if they plan to snatch No. 1. Last time they met was in Week 15 of last season, at Cowboys Stadium, and the game ended up with a victory for the home team by 33-30, which Dallas will try to repeat on Monday.
Knowledge of copyright and intellectual property is important for media and law students. So who owns the rights to Village People's YMCA? We have all danced to it at one stage in our life, most of us more than once, whether you are six to sixty and upwards. The song and many others are soon to be part of a new copyright battle between song writers and the record companies that distribute their work. Copyright and intellectual property is becoming an ever more important issue for the creative and cultural industries. Protecting your rights is important for film and documentary makers, photographers, and journalists across all media. In Griffith College's??journalism??and??photography??courses intellectual property and copyright is an increasing feature of the curriculum. In the??Law programmes??it is an essential course topic. Getting the true value of your content is difficult in a digital technology orientated world where on the one hand you want your content to go viral online but still want to get paid for it. In the United States this week one new front in the copyright discussions has emerged called "Termination Rights".
The word springs from legislation passed by the US Congress into law in 1978 that allows song writers regain control of their work 35 years after it was first realised by a record company. You have to apply two years before the date your work was commercially released. This week the New York Times and other news media have reported about the termination rights issue this week as January 1st 2013 will mark the first year Termination Rights can be granted. Albums released in 1978 that could see the rights fully return to their creator include Bruce Springsteen's Darkness on the Edge of Town, Billy Joel's 52nd??Street, Funkadelic's One Nation Under a Groove and Village People's Y.M.C.A. Victor Willis, the original lead singer in the group has filed termination rights for Y.M.C.A and 32 other Village People tunes. With a song like this played at weddings, sports events on advertisements and even computer games ownership of the rights could be very lucrative. The case is being contested and could be the first of many such copyright disputes.
In the field of journalism, the focus is on text, interviews and the production of quality media for the public. One of the main steps in the journalistic process is gathering facts and details for stories. To gather facts, journalists have several techniques they use to gather information. The most traditional form of gathering information is by taking notes manually. However, most journalists keep a digital recorder with them so they don't miss an important bit of information or quote. Since digital recording is crucial in the field of journalism, journalists need necessary tools to gather the information they need for articles. Not only do they need digital recorders with substantial memory and options, but they also need tools that help with transcription of recordings. It's easy for a journalist to flip a switch and record an interview, but it's more time consuming for a journalist to listen to that recording and convert the information to text. Dragon NaturallySpeaking software offers a tool that so many journalists need, which is technology that converts audio to text.
For journalists, if time can be saved during the transcription process, then more time can be allotted for interviews and the writing process. In the field of journalism, efficiency and productivity is important to get the best story to the public in the right amount of time. All journalists have to do is pair their digital recorder with Dragon software and let a computer do all the tedious work. Transcribing text has never been easier for journalists since the invention of this type of software. Now, journalists can conduct the interviews they want, record the information they need and convert recordings into text so the writing process can begin. Time saved during transcription leaves time for other tasks. Instead of a journalist missing an opportunity to cover other stories because of the demand of transcription, journalists now can cover more news and developments and have time to do everything needed.
Transcription software is the tool that alleviates the hassle of converting audio to text and is the tool that every journalist needs. Never again will a journalist miss a lead or an opportunity to cover a story with transcription software. Software provides necessary shortcuts that work and provide the most efficiency for the user. It's time for journalists to acquire technology that improves their work and start producing more content because of the tools available.
In the pre-internet age, the "press" mostly consisted of dedicated, full-time professionals, who worked for major newspapers, wire services, magazines, or network news organizations. Now, with the multitude of sites that allow people to share their take on current events widely and instantly, theoretically anyone with a blog and a laptop can call themselves a journalist. Today, readers have a vast array of news sources to choose from, which has spurred greater creativity and given voice to a far wider variety of opinions. However, the expansion of the journalism field beyond the traditional press corps of traditional news reporting creates new challenges for credentialing reporters, which is still critical to ensure the security at public events that these journalists may be covering.
Even though many of the old traditions of reporting the news are slowly fading away, the need for a secure international presseausweis credentials remains. Given the changing landscape of journalism though, it needs to be flexible enough to allow people who may not have in the recent past been considered true journalists can still get press passes if they demonstrate their expertise and professionalism in news reporting. One of the barriers that individuals outside of the mainstream news establishment face to getting a press pass is that the passes are often issued by journalist organizations that are heavily dominated by trade unions. These groups have an incentive to protect their members by only issuing credentials to full time representatives of major news outlets, which shuts out part time journalists, freelancers, and bloggers. Alternatives to these established organizations are arising though to accommodate the face of international news journalism. International press organizations are issuing press passes to a wide range of self-employed journalists who are not affiliated with a major news organizations. Even the large legacy news outfits are changing their business model, increasingly relying on outsourcing their reporting to part time freelance writers.
While the need for freeing "the new journalists" from the domination of more traditional news outlets is necessary as the way the news gets reported continues to change, the liberalization of credentialing also needs to be balanced with security. Security at public events, particularly those where notable business and government leaders gather, is getting tighter as global security threats persist. If getting a press pass is too easy, individuals who mean to disrupt public gatherings with violence may gain preferential access to those events. However, new organizations that have recently earned the privilege of issuing press passes have had to pass rigorous reviews, and hopefully can be expected to protect that privilege by carefully screening the professionals that they issue passes to. On the other hand, in order to protect the freedom and independence of the press journalists should not be denied access because they report a controversial viewpoint, even those that seem extreme to many.